HOME // FAQ // FIRST TIME VISITORS // iPod® USERS // FITNESS // GIFT CARDSJOIN US!LOGIN
 
Mixalbum.com

VIEW MUSIC BY

MY TRACKSHOW TO USE

DRAGONS' DEN

HOW WE SURVIVED THE DRAGONS' DEN

In case you missed it click here


Getting there

It all began with an online application to the show back in November 2005 – well two actually, the first one must have been turned down so it’s good to persevere. After a few telephone interviews I was asked up to a screen test. By the time I was in front the camera I’d practiced the pitch so much I probably knew it backwards and it all went fine. After the first take the producer suggested a few changes to the pitch and pointed out bits of info I should try and get in there.

So I had another go, but trying to learn a new pitch after repeating the old one so many times prove difficult, and half way through the second take I froze. We tried one more time and I managed to get through it but the changes still made it a bit ropey. I thought to myself that if I DID make it onto the show I’d nail the pitch 2 weeks ahead and definitely NOT try changing it 5 mins before I went in the Den.


The day before

Everything was ready, I just needed to get a tie on my way to London, so I was going to stop at Cribb’s Causeway near Bristol. I went straight past Cribb’s and only remembered the tie situation about 20 miles from the hotel. I wasn’t worried though- it was London – there’s bound to be somewhere I can get a tie at 6:30pm! No chance. So I made sure I booked an earlier taxi for the next day, checked in, and asked if the Beeb would cover my hotel tv film bill which I thought would be ironic, but sadly they said no.


On the day

The taxi driver was clearly loving the fact that he was taking someone with an out-of-town accent to an address I didn’t know, and that it was up to him which tie shop we went via. Just before we arrived at the Den the driver spotted a tie wholesalers. I ran in and pleaded with the lady (whose first language wasn’t English) to buy a just one tie rather than the standard minimum order of 50, and after a bit of looking generally anxious (both of us) she let me have a Dunhill tie for £5. On closer inspection the logo actually said “DadsoLiD” – but it would do.


In the green room

The green room is the place where all the entrepreneurs for the day pace anxiously until being called up for a roasting. I got there around 8am and the swanky Bose speakers I was borrowing had arrived and looked very cool, along with their stainless steel touch-button mute control – they’d set just the right impression in front the Dragons.

As filming over-ran I was told I’d have to wait until the following day, then at the last minute there was a change in schedule and I was going ‘up’ in 5 minutes. I practiced the pitch with a producer who helpfully suggested a few changes to remember (joy), then at the bottom of the stairs I was briefed “They’ll listen to your pitch, probably ask a few questions then when they say they are all out just walk back down again” – It wasn’t sounding good!


In the den

I was there for about 2 hours and it genuinely felt like 10 minutes. As I walked in 5 well lit and well suited people, some of them familiar, were sat watching me intently. The pitch began ok until we got to the bit where I had to play a bad mix, as a comparison to our system: ‘This is what a bad mix sounds like….’ I pushed play…. silence. After 3 seconds of standing there I considered rooting through all the wires like a madman but realised that it would just might make me look like a muppet on national TV. Instead I apologised to the Dragons, then a sound manager looked over the laptop and it turned out that the swanky stainless steel touch-button mute had been accidentally touched by the soundman as he was connecting things up earlier. At this point I was less keen on the Bose design.

The highlights of the rest you saw on TV. Duncan was out within about 5 mins of the pitch (it was coming up to tea time). I managed to give the dragons a talk about patents which must have been fascinating – I’m surprised it didn’t make the final cut.

It was a pleasure meeting the people who worked on the program and I’d recommend it to anyone to give it a go.

Ian

©2005 Higher House Productions Ltd, UK Registered Company No. 5001955. ALL RIGHTS RESERVED.
All music © the respective artists. Powered by CAMMS (Computer Aided Music Mixing System) Patent: GB2370405

BASKET

NONE
VIEW / EDIT
TOTAL: £0.00
EDIT / CHECKOUT

TRACKLIST

  1. Add tracks to the TRACKLIST
  2. Hear sample mixes on the DEMO MIXER
  3. Download your SINGLES, then click MIX IT!
* = NEW ITEMS
MIX IT
TourcoreCheck out the latest releases in new musicWe Survived The Dragons' Den